Showing posts with label blues. Show all posts
Showing posts with label blues. Show all posts

Wednesday, February 22, 2012

Layer 527 . . . The Singing President and BB King, Defending Libraries, Noam Chomsky, Geo-Politics, The Imperial Way, and Survival of the Species



If you're enjoying the repeats of The Singing Detective -

http://www.youtube.com/watch?v=SN--atshVqs

http://www.youtube.com/watch?v=DKrC9Tu8gpo

http://www.youtube.com/watch?v=IDOe7Npinl4

- we now have The Singing President!

http://www.guardian.co.uk/world/video/2012/feb/22/obama-sings-blues-video


http://www.washingtonpost.com/blogs/44/post/president-obama-sings-sweet-home-chicago-with-bb-king-and-buddy-guy/2012/02/21/gIQAblnVSR_blog.html

http://news.yahoo.com/obama-joins-jagger-b-b-king-belt-blues-025929811.html
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Defending Libraries

I've just come across this article by Michael Rosen from last year. It's still relevant and well worth a read.

http://www.socialistreview.org.uk/article.php?articlenumber=11543
Libraries have become one of the expendable, junkable parts of modern capitalism.
The main alibi in circulation supporting the closure of libraries is that they've become less popular.
We need to be sharp about how we defend the library service and indeed be clear about what we are defending and what we would change about it.
Libraries provide free books, magazines and newspapers to everyone. They are a free source of information about rights, facilities and leisure, and librarians provide what is in effect an advice service in relation to all this. In many places there is also free or cheap internet access, and free or cheap borrowing of CDs and DVDs, photocopying and the like. For many people in particular groups in society - such as children, new migrants, old people, the unemployed, sixth form and further education students - libraries are more than a "leisure facility". They are crucial to how they live and develop.
For socialists, none of this can be an optional extra. Central to our struggle for socialism has to be that every one of us has a right of access to knowledge, ideas and skills. The education system cannot and does not deliver this because even as it appears to offer that access it segregates, divides, discriminates and discards.
As a form of cheap, portable and physically durable entertainment and education, books still have the edge over the alternatives. E-books will certainly do most of the job if people can afford the "platform" to read them on. But for the moment, at least, for young children there is no substitute for the picture book.
An issue here is specificity and variety. The sum total of books offers a range of ideas and thought not available through the mass media. The library service offers everyone access to this, though we're reaching a point where many people aren't aware that it does.
As with everything else I've been describing, this needs librarians so that the space of the library can be used to expand the "socialisation" of reading - through talks, readings, book groups, advice "surgeries", the Summer Reading Challenge for children and the like.
The prevailing model for us as human beings is as private consumers, and libraries and reading are being squeezed into this model. By defending the job of every librarian and demanding improvements to the service we are also opposing the idea that the mind is little more than a shopping trolley. We are saying instead that we are social beings who can use reading, writing and talk as part of our struggle for a better society.
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Noam Chomsky continues to produce challenging articles, essays and books that give a very different world view to the mainstream dross that afflicts us through the majority of the media. Hats off to the Guardian for continuing to publish his work. If you want some perspective on what's happening in geo-politics - and everybody should - you have to read Chomsky.

'Losing' the world: American decline in perspective, part 1


US foreign policy 'experts' only ever provide an echo chamber for American imperial power. A longer, broader view is necessary


http://www.guardian.co.uk/commentisfree/cifamerica/2012/feb/14/losing-the-world-american-decline-noam-chomsky


At the moment, we are failing to commemorate the 50th anniversary of President John F Kennedy's decision to launch the most destructive and murderous act of aggression of the post-second world war period: the invasion of South Vietnam, later all of Indochina, leaving millions dead and four countries devastated, with casualties still mounting from the long-term effects of drenching South Vietnam with some of the most lethal carcinogens known, undertaken to destroy ground cover and food crops.


The prime target was South Vietnam. The aggression later spread to the North, then to the remote peasant society of northern Laos, and finally to rural Cambodia, which was bombed at the stunning level of all allied air operations in the Pacific region during second world war, including the two atom bombs dropped on Hiroshima and Nagasaki. In this, Henry Kissinger's orders were being carried out – "anything that flies on anything that moves" – a call for genocide that is rare in the historical record. Little of this is remembered. Most was scarcely known beyond narrow circles of activists.
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A the scale of the US defeat in Iraq was becoming difficult to suppress, the government quietly conceded what had been clear all along. In 2007-2008, the administration officially announced that a final settlement must grant the US military bases and the right of combat operations, and must privilege US investors in the rich energy system – demands later reluctantly abandoned in the face of Iraqi resistance. And all well kept from the general population.
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A close look at American decline shows that China indeed plays a large role, as it has for 60 years. The decline that now elicits such concern is not a recent phenomenon. It traces back to the end of the second world war, when the US had half the world's wealth and incomparable security and global reach. Planners were naturally well aware of the enormous disparity of power, and intended to keep it that way.


The basic viewpoint was outlined with admirable frankness in a major state paper of 1948 (PPS 23). The author was one of the architects of the "new world order" of the day, the chair of the State Department policy planning staff, the respected statesman and scholar George Kennan, a moderate dove within the planning spectrum. He observed that the central policy goal was to maintain the "position of disparity" that separated our enormous wealth from the poverty of others. To achieve that goal, he advised, "We should cease to talk about vague and … unreal objectives such as human rights, the raising of the living standards, and democratization," and must "deal in straight power concepts", not "hampered by idealistic slogans" about "altruism and world-benefaction."


Kennan was referring specifically to Asia, but the observations generalize, with exceptions, for participants in the US-run global system. It was well understood that the "idealistic slogans" were to be displayed prominently when addressing others, including the intellectual classes, who were expected to promulgate them.


The plans that Kennan helped formulate and implement took for granted that the US would control the western hemisphere, the Far East, the former British empire (including the incomparable energy resources of the Middle East), and as much of Eurasia as possible, crucially its commercial and industrial centers. These were not unrealistic objectives, given the distribution of power. But decline set in at once.


In 1949, China declared independence, an event known in Western discourse as "the loss of China" – in the US, with bitter recriminations and conflict over who was responsible for that loss. The terminology is revealing. It is only possible to lose something that one owns. The tacit assumption was that the US owned China, by right, along with most of the rest of the world, much as postwar planners assumed.


The "loss of China" was the first major step in "America's decline". It had major policy consequences. One was the immediate decision to support France's effort to reconquer its former colony of Indochina, so that it, too, would not be "lost".


In the case of Vietnam, the concern was that the virus of independent development might infect Indonesia, which really does have rich resources. And that might lead Japan – the "superdomino" as it was called by the prominent Asia historian John Dower – to "accommodate" to an independent Asia as its technological and industrial center in a system that would escape the reach of US power. That would mean, in effect, that the US had lost the Pacific phase of the second world war, fought to prevent Japan's attempt to establish such a new order in Asia.


The way to deal with such a problem is clear: destroy the virus and "inoculate" those who might be infected. In the Vietnam case, the rational choice was to destroy any hope of successful independent development and to impose brutal dictatorships in the surrounding regions. Those tasks were successfully carried out – though history has its own cunning, and something similar to what was feared has since been developing in East Asia, much to Washington's dismay.


Similar procedures have been routinely followed elsewhere. Kissinger was referring specifically to the threat of socialist democracy in Chile. That threat was ended on another forgotten date, what Latin Americans call "the first 9/11", which in violence and bitter effects far exceeded the 9/11 commemorated in the west. A vicious dictatorship was imposed in Chile, one part of a plague of brutal repression that spread through Latin America, reaching Central America under Reagan. Viruses have aroused deep concern elsewhere as well, including the Middle East, where the threat of secular nationalism has often concerned British and US planners, inducing them to support radical Islamic fundamentalism to counter it.


The concentration of wealth and American decline


Despite such victories, American decline continued. By 1970, US share of world wealth had dropped to about 25%, roughly where it remains, still colossal but far below the end of the second world war. By then, the industrial world was "tripolar": US-based North America, German-based Europe, and East Asia, already the most dynamic industrial region, at the time Japan-based, but by now including the former Japanese colonies Taiwan and South Korea, and, more recently, China.


At about that time, American decline entered a new phase: conscious self-inflicted decline. From the 1970s, there has been a significant change in the US economy, as planners, private and state, shifted it toward financialization and the offshoring of production, driven in part by the declining rate of profit in domestic manufacturing. These decisions initiated a vicious cycle in which wealth became highly concentrated (dramatically so in the top 0.1% of the population), yielding concentration of political power, hence legislation to carry the cycle further: taxation and other fiscal policies, deregulation, changes in the rules of corporate governance allowing huge gains for executives, and so on.


Meanwhile, for the majority, real wages largely stagnated, and people were able to get by only by sharply increased workloads (far beyond Europe), unsustainable debt, and repeated bubbles since the Reagan years, creating paper wealth that inevitably disappeared when they burst (and the perpetrators were bailed out by the taxpayer). In parallel, the political system has been increasingly shredded as both parties are driven deeper into corporate pockets with the escalating cost of elections – the Republicans to the level of farce, the Democrats (now largely the former "moderate Republicans") not far behind.


A recent study by the Economic Policy Institute, which has been the major source of reputable data on these developments for years, is entitled Failure by Design. The phrase "by design" is accurate. Other choices were certainly possible. And as the study points out, the "failure" is class-based. There is no failure for the designers. Far from it. Rather, the policies are a failure for the large majority, the 99% in the imagery of the Occupy movements – and for the country, which has declined and will continue to do so under these policies.


One factor is the offshoring of manufacturing. As the solar panel example mentioned earlier illustrates, manufacturing capacity provides the basis and stimulus for innovation leading to higher stages of sophistication in production, design, and invention. That, too, is being outsourced, not a problem for the "money mandarins" who increasingly design policy, but a serious problem for working people and the middle classes, and a real disaster for the most oppressed, African Americans, who have never escaped the legacy of slavery and its ugly aftermath, and whose meager wealth virtually disappeared after the collapse of the housing bubble in 2008, setting off the most recent financial crisis, the worst so far.
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The imperial way: American decline in perspective, part 2


The US's presumed right to impose its will on the world, by force if necessary, has not changed. But its capacity to do so has


http://www.guardian.co.uk/commentisfree/cifamerica/2012/feb/15/imperial-way-american-decline-noam-chomsky


In the years of conscious, self-inflicted decline at home, "losses" continued to mount elsewhere. In the past decade, for the first time in 500 years, South America has taken successful steps to free itself from western domination, another serious loss. The region has moved towards integration, and has begun to address some of the terrible internal problems of societies ruled by mostly Europeanized elites, tiny islands of extreme wealth in a sea of misery. They have also rid themselves of all US military bases and of IMF controls. A newly formed organization, CELAC, includes all countries of the hemisphere apart from the US and Canada. If it actually functions, that would be another step in American decline, in this case in what has always been regarded as "the backyard".


Even more serious would be the loss of the MENA countries – Middle East/North Africa – which have been regarded by planners since the 1940s as "a stupendous source of strategic power, and one of the greatest material prizes in world history". Control of MENA energy reserves would yield "substantial control of the world", in the words of the influential Roosevelt advisor AA Berle.


The Iranian "threat" and the nuclear issue


Let us turn finally to the third of the leading issue addressed in the establishment journals cited earlier, the "threat of Iran". Among elites and the political class, this is generally taken to be the primary threat to world order – though not among populations. In Europe, polls show that Israel is regarded as the leading threat to peace. In the MENA countries, that status is shared with the US, to the extent that in Egypt, on the eve of the Tahrir Square uprising, 80% felt that the region would be more secure if Iran had nuclear weapons. The same polls found that only 10% regard Iran as a threat – unlike the ruling dictators, who have their own concerns.


In the United States, before the massive propaganda campaigns of the past few years, a majority of the population agreed with most of the world that, as a signatory of the Non-Proliferation Treaty, Iran has a right to carry out uranium enrichment. And even today, a large majority favors peaceful means for dealing with Iran. There is even strong opposition to military engagement if Iran and Israel are at war. Only a quarter regard Iran as an important concern for the US altogether. But it is not unusual for there to be a gap, often a chasm, dividing public opinion and policy.


Why exactly is Iran regarded as such a colossal threat? The question is rarely discussed, but it is not hard to find a serious answer – though not, as usual, in the fevered pronouncements. The most authoritative answer is provided by the Pentagon and the intelligence services in their regular reports to Congress on global security. They report that Iran does not pose a military threat. Its military spending is very low even by the standards of the region, minuscule, of course, in comparison with the US.


Iran has little capacity to deploy force. Its strategic doctrines are defensive, designed to deter invasion long enough for diplomacy to set it. If Iran is developing nuclear weapons capability, they report, that would be part of its deterrence strategy. No serious analyst believes that the ruling clerics are eager to see their country and possessions vaporized, the immediate consequence of their coming even close to initiating a nuclear war. And it is hardly necessary to spell out the reasons why any Iranian leadership would be concerned with deterrence, under existing circumstances.


The regime is doubtless a serious threat to much of its own population – and regrettably, is hardly unique on that score. But the primary threat to the US and Israel is that Iran might deter their free exercise of violence. A further threat is that the Iranians clearly seek to extend their influence to neighboring Iraq and Afghanistan, and beyond, as well. Those "illegitimate" acts are called "destabilizing" (or worse). In contrast, forceful imposition of US influence halfway around the world contributes to "stability" and order, in accord with traditional doctrine about who owns the world.


While the principles of imperial domination have undergone little change, the capacity to implement them has markedly declined as power has become more broadly distributed in a diversifying world. Consequences are many. It is, however, very important to bear in mind that, unfortunately, none lifts the two dark clouds that hover over all consideration of global order: nuclear war and environmental catastrophe, both literally threatening the decent survival of the species.


Quite the contrary. Both threats are ominous, and increasing.
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Thursday, February 16, 2012

Layer 521 . . . Greek Tragedies, The Gods of Speculation, and the Markets

Oxzen has written previously about the world being run by "the markets" (meaning run by the people who control the vast majority of the wealth) and the fact that individual governments seem unable, playing by the current rules of capitalism and globalisation, to do anything except bow down to the power of "the markets". This is true even for massive entities such as the governments of the USA and the EU, which are afraid, very afraid, of "the markets".


This week "the markets" are back in the news, along with their Provisional wing, the credit rating agencies.


Moody's blues: George Osborne's wooing of the rating agencies turns sour
Osborne has been lavishing expensive gifts on the credit rating agencies. But now they have shown their capricious side
by Larry Elliott
http://www.guardian.co.uk/commentisfree/2012/feb/14/moodys-george-osborne-rating-agencies
Credit downgrade alert leaves George Osborne in a political fix
Inflation may be falling but the chancellor has only few options open to him after Moody's credit warning
by Larry Elliott
http://www.guardian.co.uk/business/2012/feb/14/credit-downgrade-george-osborne-political-fix


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As Greece stares into the abyss, Europe must choose
The way out of the financial crisis faced by Greeks requires a choice about what kind of Europe we want
by Maria Margaronis
http://www.guardian.co.uk/commentisfree/2012/feb/12/euro-crisis-stake-greece-identity-europe
As I write, the Greek parliament is preparing to vote on the bond swap agreed with the country's private creditors and on the new deal with the EU and the IMF, which would lend the country €130bn in exchange for cuts that slice the last little bits of flesh from the economy – including a 22% reduction in the minimum wage and 150,000 public sector job losses by 2016. Without the deal, Greece will default by March; with it, the country will sink into a still deeper depression, with no end in sight. In a televised effort to rally the country behind yet more austerity, the finance minister, Evangelos Venizelos, laid out a blunt choice between sacrifices and worse sacrifices, humiliation and still deeper humiliation, if Greece should default and leave the eurozone.
It's not clear, though, how many people were listening. Exhausted by interminable cliffhangers and last chances, many Greeks have turned off the terrorist soap opera of the TV news and are trying as best they can to get on with their lives. The misery to which Athenians have been reduced – the soup kitchens, the homelessness, the depression and suicides, the rising tide of poverty that's swallowing the middle class – is now a staple of the features pages. It's harder to describe the sense of pervasive breakdown that gets under the skin; the feeling of disorientation and lost identity that comes with the collapse of the assumptions people lived by and the stories they told themselves about the future and the past.
When you ask people on the street if they would rather Greece went bankrupt than submit to further measures, many now point out that it is already bankrupt, that public sector workers have gone unpaid for months, that hospitals have no supplies, that the poor are being wrung dry in order to pay the banks.
Why, then, have large sections of the Greek elite clung so hard to the fantasy that a new loan deal can "save" the country? The obvious answer is that default is a black hole and an enormous risk. No one can predict what suffering a default might bring. Another is that the current crop of politicians built their careers in the system that is now unravelling, based on oligarchies, clientelism and corruption; they've proved unwilling to make the reforms that might, in a different global climate, have revived both Greece's economy and its democracy.
The deeper reasons, though, may be cultural and political. The crisis has intensified old splits in Greek society. You can see it in the polls, which show support ebbing from the centre to the edges of the political spectrum, and especially to the fragmented left. You can see it, too, in the historical parallels people reach for in a vain attempt to name this unprecedented nightmare. Protesters chant slogans from the dictatorship of 1967 to 1974, comparing the deal's Greek enforcers with the CIA-backed junta. Both left and right talk about a new German occupation – an understandable reference given that Germany is calling the shots and that Greeks last queued at soup kitchens in the 1940s, but one that can edge into racism or crude exaggeration, as in a recent headline that read simply "Dachau". Both those tropes call up the silent ghosts of the Greek civil war, which launched the cold war in Europe and outlawed the Greek left for the next 30 years. In this story, the west plays the part of the repressive imperial interloper.
For the liberal centre, this is populist anathema. To them Europe is still Greece's heartland and its hope, the only guarantor of liberal capitalism, human rights and democracy.
The trouble with historical metaphors is that they can obscure the present: what's really at stake here is not Greece's identity but Europe's. All eyes are fixed on Athens, but the way out of the crisis requires a choice about what kind of Europe we want. The one we have now, with its deep structural inequalities and its rigid adherence to a failed economic ideology, protects neither democracy nor human rights. Stiff-necked and punitive, it prefers to eat its children.
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Shame on Europe for betraying Greece
Capitalism is triumphant as EU states sacrifice the Greek people in a desperate attempt to appease the gods of speculation
http://www.guardian.co.uk/commentisfree/2012/feb/14/europe-betraying-greece
by William Wall
The behaviour of the EU states towards Greece is inexplicable in the terms in which the EU defines itself. It is, first and foremost, a failure of solidarity.
The "austerity package", as the newspapers like to call it, seeks to impose on Greece terms that no people can accept. Even now the schools are running out of books. There were 40% cuts in the public health budget in 2010 – I can't find the present figure. Greece's EU "partners" are demanding a 32% cut in the minimum wage for those under 25, a 22% cut for the over 25s. Already unemployment for 15-24-year-olds is 48% – it will have risen considerably since then. Overall unemployment has increased to over 20%. The sacking of public sector workers will add to it. The recession predicted to follow the imposition of the package will cause unbearable levels of unemployment at every level.
In addition the "package" demands cuts to pensions and public service pay, wholesale privatisation of state assets – a fire-sale, since the global market is close to rock bottom – and cuts to public services including health, social welfare and education. The whole to be supervised by people other than the Greeks. An entire disciplinary and punishment system.
When we casually use a term like "bailout", it is important to remember that it is not people who are being bailed out, or at least not the Greek people. The bailout will not save a single Greek life. The opposite is the case. What is being "bailed out" is the global financial system, including the banks, hedge funds and pension funds of the other EU member states, and it is the Greek people who are being ordered to pay – in money, time, physical pain, hopelessness and missed educational opportunities. The relatively neutral, even stoic, term "austerity", is a gross insult to the Greek people. This is not austerity; at best it is callousness.
On top of this callousness, we must remember that the strategy itself is nonsense. Every intelligent observer is agreed that cuts do not produce growth. The highest rate of growth in the EU at present is in Poland where massive public investment is driving the economy. GDP is declining or barely moving among the "austerity" nations, including the UK.
In essence, this crisis is a failure of the EU states to show solidarity in the face of an onslaught from the financial markets. At first glance this seems to be a very simple fight. In one corner you have nation states, which have the wellbeing of their citizens as their raison d'ĂȘtre; in the other you have global capitalism as represented by the financial markets, which has the wealth of a tiny few as its raison d'ĂȘtre. But the nation state has, for a considerable time, identified itself with those same markets. States have agreed to see themselves as economies rather than societies. More recently we have been led to believe that the market alone can provide everything the citizen needs and much more efficiently than the structures that the citizens normally rely on and which they have, over generations, erected as protections against the revenge of the market.
This is the triumph of capitalism, that it has persuaded the world that capitalism is the world.
It has led to the undoing of 200 years of struggle between ordinary people and the super-rich. Trade unions didn't appear overnight, they were a response to exploitation. Their defeat has led to the ubiquity of precarious, and now free, labour. Workers are not protected in their workplace by capitalists, they are protected by the laws won by struggle against the capitalist. A sweatshop in China is a direct assault not just on the rights of the Chinese worker but on those of workers in, for example, the UK. Socialist internationalism and solidarity were conceived as a way of defeating that ploy. Old people do not die in the streets not because charity has saved them but because 200 years of struggle has brought us the old age pension and public health. The privatisation of those services is a return to the 19th century. None of this public good would have been won if people had identified with the super-rich of 1812. Now that we have been brought to such an identification, we stand to lose them all over again.
Now we see capitalism at its most triumphant. Greek police beat Greek people in order to impose the will of the banks and hedge funds. The EU member states, including Ireland, are the middleman, the quislings of capital. Rather than reach out a hand of solidarity, we say, "better them than us". As if the global markets will choose to pass on Ireland once Greece has been destroyed. Solidarity is not just compassion for one's fellow man; it is also materialist self-interest. One for all and all for one. We stand or fall together. There is strength in unity.
Instead we have decided to sacrifice the Greek people to the market in the hope that our sacrifice will appease the gods of speculation. We condemn them to misery and poverty to keep Standard & Poor's off our backs. But we have miscalculated. Firstly, the communist left currently stands at 42% in the polls, Pasok at 8%. Pasok (the leading party in government) will vanish and a combination of real leftwing parties will win the next election. They will not bend the knee and put their necks on our block.
It seems to me now that Greece will withdraw from the euro and default on its debt. Who knows what will happen to it then, but it can hardly be much worse than what we want from them, and at least it will be something of their own choosing. The speculators will then take a little time to consider which of the other economies to bet on. Perhaps then the Irish government will regret its lack of solidarity. Whatever happens, our behaviour and that of our EU compatriots has been shameful.
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Greece and the return of the economic 'death spiral'
The lesson of 2008 was that stimulus prevented a new Great Depression. Without similar drastic help, Greece will now default
by David Blanchflower
http://www.guardian.co.uk/commentisfree/cifamerica/2012/feb/13/greece-return-economic-death-spiral
During the latter part of 2008, central bankers around the world worried secretly that the death spiral was approaching. The concern was that it was too late to stop economies crashing. In the event, concerted international action on both monetary and fiscal policy prevented collapse – although they did get pretty darn close to the precipice.
In the UK, then Chancellor Alistair Darling had only a few hours notice that the Royal Bank of Scotland was about to fail. The fear was that cash machines around the world would close, banks would fold and stock markets would tank within hours. This was a once-in-100-year shock: in my view, without such unprecedented intervention, unemployment rates in the US and Europe could well have risen to over 24% – which is where they are already in Greece and Spain.
Stimulus worked, simple as that.
On 9 February, the Hellenic statistical authority, which is Greece's central statistical office, published data on the labor market and industrial production (pdf), which suggests the Greek economy is headed over the cliff. This is a Great Depression for Greece and its 11 million inhabitants.
Without reforms to its product and labor markets, alongside the introduction of a fully-functioning tax system with enforced compliance, Greece has no future and is headed to inevitable default.
The only issue is, how disorderly will it be? It's not so much that the Greeks won't pay, it's that they can't. Greece remains uncompetitive.
For all the deals being signed in Athens and Brussels, the Greek people have worked out that they have no hope; protest and social unrest now looks a rational option to the ordinary people who are bearing the cost to bail out European banks. Cuts in the minimum wage right now are probably not very smart politics.
Greece does still have a card to play – which is "one down, all down". An exit from the euro would result in a depreciated drachma, which would potentially give a much needed boost to tourism. And that sounds better than all other alternatives currently on offer. There is still time for Germany's Angela Merkel to get out her cheque book; but otherwise, it's all over – and quite possibly very quickly.
This really is what a death spiral looks like.
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And talking of tragedies - I give you the Sun newspaper/rag.

The front page yesterday had to be seen to be believed:

http://www.thesun.co.uk/sol/homepage/news/4127833/Whitney-Houston-death-Bath-tub-where-star-died.html

It's worse than on the website.

"Whitney's Death Bath - the First Images."

The bath in the photograph is still filled with the actual water in which tragic Whitney died. The bath photo shares the page with a photo of Whitney looking . . . somewhat . . . drowned.

Just when you think the bottom of the barrel has been well and truly scraped already . . .


But wait!

Also on the website -

40-stone Brenda is Britain’s fattest woman

http://www.thesun.co.uk/sol/homepage/news/4130131/40-stone-Brenda-is-Britains-fattest-woman.html

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I have to end this blog with something good and decent and inspiring.

Robby Krieger: soundtrack of my life
The former Doors guitarist talks about discovering rock'n'roll, blues and jazz and his memories of recording with Jim Morrison
Interview by Hermione Hoby
http://www.guardian.co.uk/music/2012/jan/29/robbie-krieger-soundtrack-my-life

Still love that Crawlin' King Snake by the wonderful John Lee Hooker.

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Saturday, February 5, 2011

Layer 437 . . . Peter Green, Great Music, Fleetwood Mac, Shivers Down The Spine, and Hands Off Our Libraries

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There was a bizarre piece in the Guardian today about the break-up of the White Stripes.

 http://www.guardian.co.uk/theguardian/2011/feb/05/white-stripes-remembered

There was an outpouring of grief this week when the White Stripes announced they were to split.

Grief???

As far as I can see, Jack White is a talented and creative musician, a very good guitarist, and a lover of the blues - whereas the White Stripes was a very poor vehicle for expressing his ideas and his work. The image of Meg, the world's worst drummer, sitting around drinking whiskey and chatting whilst Jack was next door being creative just about says it all. Good musicians need to work with people of equal talent. And that red and white thing of theirs was always a nonsense.

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According to BB King, a man who knows better than anyone about music and the blues, there's only one guitarist who's ever sent shivers down his spine.

John Mayall, the grandaddy of British blues, said our man was a better guitarist than Eric Clapton, the man he'd replaced in Mayall's Bluesbreakers.

Carlos Santana still has a kind of reverence for him.

Peter Green is the man.

Last night BBC4 re-broadcast their documentary about Peter Green - his origins, his life and times, and his troubles. It's one of the best music documentaries I've ever seen. Possibly even the best.

Only Peter Green could, or would, put together a blues band that featured not one but three lead guitarists, plus the best rock/blues rhythm section of all time - Mick Fleetwood and John McVie. He'd met Mick and John during their time together with Mayall's Bluesbreakers. "Peter loved rhythm, and percussion."

He'd asked Jeremy Spencer to join his band because Jeremy was 'the first guitarist who'd put a smile on his face since Jimi Hendrix'. You can hear him at his best on "Oh Well" - a real spine tingler of a track. As are Peter's original 'Black Magic Woman', and of course 'The Supernatural', which Peter recorded whilst he was with the Bluesbreakers.

Peter spoke in the programme about his 'love of thinking', and how mescaline gave him 'pure spiritual thoughts'.

At some point, some time after the band had become rich and famous, Peter figured they had made more than enough money. He wanted the band to just buy a big house where they could all just live together and play the blues. The rest of their money they could give away to charities for famine relief.

"Then Play On" was an album I couldn't stop playing when it first came out. A faultless piece of soulful and rocking  blues from start to finish. 'Rattlesnake Shake' - especially the extended version - has to be a desert island disc.

Danny Kirwan, the third of the trio of lead guitarists, blew his brains out with some bad acid on exactly the same day as Peter Green. One bad day in Germany.

I'm not the only one who felt genuine grief when I found out about Peter Green's mental disintegration, and how he'd had his brain even more damaged by electric shock 'treatment'.

...................................

Hands off our libraries

This Saturday sees a national day of protest against 400 planned library closures. The Isle of Wight stands to lose more than most – a staggering nine out of 11 – and resistance there is mounting

by Jon Henley

http://www.guardian.co.uk/books/2011/feb/03/hands-off-our-libraries

Along with a staggering nine out of the Isle of Wight's 11 libraries – and 400-plus more across the country – Ventnor library is, however, currently under threat of closure. Oxfordshire could lose 20 out of 43, Brent six out of 12, Buckinghamshire up to 14, Dorset up to 20 out of 34, Gloucestershire up to 18, North Yorks 24 out of 42, Somerset 11 out of 34, Wiltshire up to 10.

Faced with the need for brutal budget cuts, many councils have settled on their library services as a good way of making them. Steve Beynon, chief executive of the Conservative-led Isle of Wight council, makes its financial position plain: overall spending has to come down by £17.8m in the first year. The council's not sparing itself: around £12m will come from "what you might broadly call management and infrastructure efficiency savings". But of the remainder, £500,000 is going to have to come out of the library service in the first year, £750,000 thereafter.

They can't believe libraries are being treated like this. "My mother-in-law is 95," says Christine Benson. "She has taken four books out of the library every week, all her life. How can I be expected to abandon that principle? How can we even be considering this in a civilised country?" Sue Morgan is equally impassioned. "Libraries are incredibly important," she says. "They're the gateway to literacy. In a library, you can say to children: have whatever you like! You can pick up a book that will change your life. But you can also make mistakes in a library; pick up something you don't enjoy and it doesn't matter. You can't do that on Amazon."

Under the 1964 Public Libraries and Museums Act, councils are obliged to run "comprehensive and efficient" services: is the Isle of Wight really doing that, if these plans go ahead?

Paul Richardson, a genial professor, rails that on an island with a large number of retired people, a higher-than-average unemployment rate and a child literacy problem, the council's proposals "will hit hardest those who most need, and use, libraries". If the current plans go ahead, he says, the council may be "failing to fulfil its statutory responsibilities. It would certainly be drastically reducing the access of a substantial proportion of the island's population – and especially the young, the old and the least well off – to reading for pleasure, information and instruction. And it would equally be reducing access to connectivity."

"This isn't just misconceived, it's a tragedy." 

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Friday, October 29, 2010

Layer 368 . . . Bowie, Culture, Keith, The Stones, Rock and Roll Journeys, America, Modern Horror, and a Rally To Restore Sanity

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The Culture Vulture

In the week that the Cleggster chose a track from Ziggy Stardust to take to his desert island, Sky Arts for some reason put out an old documetary about Bowie - An Earthling At 50.

This film was made to promote the 'Earthling' album, which was released in 1997. Bowie hasn't put out an album since 2003. I hadn't realised he had major heart surgery back then.

Interviewed in a New York recording studio he came across as urbane, amused, amusing,  intelligent and cultured. As for being interesting - has Bowie ever really stood up for a cause, or said anything really interesting?

Unfortunately the new album consisted in large parts of 'jungle' and 'drum n bass' styles, together with 'techno' and 'industrial' styles, whatever they might be. Bowie claimed this so-called 'hardcore' stuff has "as much resonance as soul, reggae and rhythm and blues". Crazy.

Bowie said he's 'a real culture vulture', intensely interested in 'the way we put our societies together'. He's also interested in 'outsiders and looneys' who have a passion for life. He himself is 'full of curiosity and a love of life'. Or at least he was those things, back in the day. It's not clear whether he still is.

He was surprisingly honest - admitting that in the beginning he was 'playful and camp and over the top', but then came the the drugs that messed him up creatively and also as a human being. "By the mid 70's I was out of my gourd and finding it nigh on impossible to function. I found it hard to think at all. I really lost my way in the 80's. I had no belief in my material and no artistic passion." All of which goes a long way towards explaining the loss of creativity and loss of the sort of musical originality he'd shown on Hunky Dory and Ziggy.

He also said he was always looking for 'a religious or spiritual connection'. "Spiritual life has always been a problem for me. I'm normally callous and calculating." Capricorn to the core, perhaps.

A long, long journey from Major Tom and "Changes" to 'hardcore' and 'techno'. Not a happy ending.

...................................................................

The BBC screened a Culture Show documentary this evening on another epic rock journey, publicising Keith Richards' new autobiography - "Life".

Bobby Keys, ace US sax player, said in the film, "The man's got something inside him that's really special and unique - as a musician you just want to get up and jam with him."

To which Keith modestly said, "Yes, but it's the interaction with other people that matters - the guys you play with and give you the feedback through their responses."

Keith pays tribute to his mum for his early musical education. His dad was "A distant figure who spoke very little." Whereas his mum would play jazz and blues records and draw his attention to great artists like Louis Armstrong and Sarah Vaughan.

The real starting point for Keith's adult life and his career as a musician/songwriter was hearing Elvis doing 'Heartbreak Hotel'. "It was like going from black and white into technicolour, and also bringing everything into focus." Such is the power of music.

Keith moved from Dartford in '63, into a 'slumlike' and freezing cold flat in London that he shared with Mick and Brian. Together they literally and obsessively studied R & B and the blues and learned how to play their guitars. Chuck Berry, Muddy Waters and BB King, and their like, were the people they loved and took their inspiration from.

Keith said, "Our desire was to turn people on to the blues - and we didn't want nothing for it!"

Suddenly, in February '64, they released their version of Buddy Holly's "Not Fade Away", with its Bo Diddley beat, and it all went crazy. Thankfully, the Stones, in spite of it all, and in spite of the amount of drugs they ended up doing, stayed sane, and creative, and rocking & rolling. Keith is 'fiercely proud' of the Stones and their musical output.

Keith confirmed that his improvisational style of playing is based on self-expression, and not just imitation or plain copying. He says, "It's intuitive - you do it by feel and instinct." His instinct for the blues is amazing. His improvisations with Ronnie and the band are based on Zen-like spontaneity.

The Stones may have had reasonably comfortable upbringings in Dartford, but they lived in genuine poverty whilst they were developing themselves as young musicians. They were broke, and sometimes couldn't even afford to eat. That type of background can make someone pretty fearless, relaxed about stardom and its durability, and give duration to their professionalism when they do become stars. Keith made it clear he really dislikes the adulation and stardom bit. He's really only in it for the music. Arguably the Stones are even now at their peak, which can also be said of people like David Gilmour.

Keith loved touring America, which he found "endlessly fascinating - after Dartford." Ultimately, though, those experiences took in Altamont, and the true madness of America.

..................................................

Modern Horror

A character in 'No Country For Old Men' says, "This country's hard on people. And you can't stop what's coming."

This is actually a film I wish I hadn't seen. The unrelenting nastiness and sheer evil of its psychopathic characters is hard to stomach - all the more so when the decent people in the film are invariably slaughtered for no reason whatever.

It's well made, and very believable, based on a book by Cormac McCarthy, who also wrote "The Road".  America is full of fucked up psychos and semi-psychos, who are inclined towards extreme violence. (As Eddie Izzard once said to a New York audience - "You have all the guns!")

Whether it's drug runners shooting one another with Uzis and shotguns in Texas, or Hell's Angels stabbing and beating innocent concert-goers in far-off Altamont, it's pretty horrific.

Is this the inevitable outcome of any society that refuses to create a welfare state, that glorifies gun culture, that advocates extreme individualism, that pursues extreme materialism, where the gap between rich and poor is stratospheric, and where a decent and intelligent man like Obama is continuously attacked, slandered and vilified in the media?

..............................................

The Daily Show

An amazing coup for Jon Stewart this week - Obama agreed to appear live on the show for the entire 30 minutes. America is fortunate indeed to have incredible human beings like Obama and Stewart. Such a shame they're in such a tiny minority.

Stewart has taken it upon himself to organise a major rally in Washington this coming weekend - "The Rally To Restore Sanity".

Michael Tomasky wrote about it today:

http://www.guardian.co.uk/commentisfree/cifamerica/2010/oct/27/jon-stewart-rally-for-sanity-america

See also:

http://en.wikipedia.org/wiki/Rally_to_Restore_Sanity_and/or_Fear

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Ali On Obama

Tariq Ali also wrote about Obama in his column today:

http://www.guardian.co.uk/commentisfree/2010/oct/28/obama-hope-all-hype

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Wednesday, August 25, 2010

Layer 344 . . . Grandma's House, Hendrix, Machine Guns, Politics, Manu Chao, Hugo Chavez and Professor David Harvey

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Grandma's House

Back on the theme of comedy and laughter I've been meaning to say something about 'Grandma's House', which is now three programmes into its series on BBC2. All three available on iPlayer.

TV presenter Simon Amstell plays a version of himself in Grandma's House, a new six-part comedy written by Simon and his long-term collaborator Dan Swimer.

The series stars Simon Amstell as a TV presenter who is quitting his job to try to do something more meaningful with his life.

Each episode is set at Grandma's house, where Simon's family regularly congregate to catch up. Everything happens under the watchful eye of Grandma, who is desperate to see everything going well.

The show also stars Bafta winner Rebecca Front (The Thick Of It, Nighty Night) who plays Simon's mum, Tanya, a larger-than-life single woman who's looking for love and who dotes on her famous son . . .
http://www.bbc.co.uk/programmes/b00tffgy

It's a kind of middle class version of The Royle Family - with virtually everything taking place in the family sitting room, involving three generations of wildly different characters.



..................................................................

Was Jimi Hendrix 'political'?

There was a programme on Radio 4 yesterday called 'Star Spangled Hendrix':

http://www.bbc.co.uk/programmes/b00tg2m0

When Jimi Hendrix returned to his native America as a star, the country he knew had changed. This programme, presented by Tom Robinson to tie in with the 40th anniversary of the guitarist's death, explores the pressure Jimi was under to make an explicit political declaration.

Tom explores Hendrix's 14 months in the Screaming Eagles 101 Airborne Division that saw him parachute a total of 26 times before he was invalided out with a broken ankle.

When Hendrix first came to Britain he'd speak with friends about the need to defeat the Viet-Cong in order to prevent the whole of South-East Asia going Communist. All the standard domino-theory clap-trap he'd picked up from the American media and in his Marine Corps indoctrination. He was no sophisticated student of politics.

On the other hand, by the time he was performing with the Band of Gypsies in 1970 Hendrix was ready to come out on stage and introduce a song called Machine Gun with these words:

"HAPPY NEW YEAR FIRST OF ALL. I HOPE WE'LL HAVE A MILLION OR TWO MILLION
MORE OF THEM... IF WE CAN GET OVER THIS SUMMER, HA HA. RIGHT I'D LIKE
TO DEDICATE THIS ONE TO THE DRAGGIN' SCENE THAT'S GOIN' ON - ALL THE SOLDIERS THAT ARE FIGHTIN' IN CHICAGO, MILWAUKEE AND NEW YORK... OH YEAH, AND ALL THE SOLDIERS FIGHTIN' IN VIETNAM. LIKE TO DO A THING CALLED 'MACHINE GUN'."


MACHINE GUN
TEARING MY BODY ALL APART

EVIL MAN MAKE ME KILL YA
EVIL MAN MAKE YOU KILL ME
EVIL MAN MAKE ME KILL YOU
EVEN THOUGH WE'RE ONLY FAMILIES APART

The final words of this piece are:

YEAH THAT'S WHAT WE DON'T WANNA HEAR ANY MORE, ALRIGHT
NO BULLETS
AT LEAST HERE, HUH HUH
NO GUNS, NO BOMBS
HUH HUH
NO NOTHIN', JUST LET'S ALL LIVE AND LIVE
YOU KNOW INSTEAD OF KILLIN'

And in between those first and last words there's about 12 minutes of very 'political' guitar playing, with Hendrix giving his musical interpretation of urban and jungle warfare as only Hendrix could - clattering and screaming guitar blasting his audience with high-powered sonic bullets, and with musical rockets and bombs - expressing rage, hatred, savagery, pain, fear, terror and madness.

You can hear several versions on YouTube (and Spotify) including
http://www.youtube.com/watch?v=hipdlGSLYk4&NR=1
http://www.youtube.com/watch?v=QT4_yXATJNo
http://www.youtube.com/watch?v=zZANxW4iFnk&feature=related
http://www.youtube.com/watch?v=8NTh07MYqMA&NR=1

What Hendrix was recreating with every live performance was an incredible work of art that took the blues to a level never seen before or since - smashing through the average concert-goer's indifference and apathy and confronting his audience with what it feels like to live with death, destruction, injury, pain and misery - whether in the urban ghettos or in the horrors of VietNam. Not what you'd call pop music, then. Hendrix thankfully never made it to Nam himself, but he knew plenty of people who did. Just imagine what we'd have missed if Hendrix had died fighting the VietCong. And for what?





Wikipedia says this:

It is a lengthy, loosely defined (jam-based) protest of the Vietnam War, and perhaps a broader comment on conflict of any kind. Although a proper studio recording was never released, there are several other live recordings on album, including Jimi Hendrix: Live at Berkeley and Blue Wild Angel: Live at the Isle of Wight. The Band of Gypsys  performance is often lauded as Hendrix's finest, and is widely considered the finest electric guitar performance in the history of recorded music.

The Band of Gypsys  version of "Machine Gun" is roughly 12 minutes long. Hendrix's long guitar solos and percussive riffs combine with controlled feedback to simulate the sounds of a battlefield, such as helicopters, dropping bombs, explosions, machine guns, and the screams and cries of those wounded or grieving. The rather sparse lyrics, which differ in every performance, relate the point of view of a soldier fighting in war.

As with his version of Star Spangled Banner, Hendrix let his guitar, his imagination, his feelings and his emotions do the talking. He painted incredibly vivid pictures with sound, and left the rest to our imagination. Was it political? Isn't everything?

It was also personal, spiritual, emotional, original and sensational. You can't say fairer than that.

..................................................................

Stumbling around on Spotify I noticed that Manu Chao has also recorded a track called Machine Gun, on the Radio Bemba Sound System live album, and also on Baionerena. Manu's a highly 'political' guy.

"After arriving in Madrid, Chao and other band mates from Mano Negra formed a new group, Radio Bemba Sound System (named for the communication system used in the Sierra Maestra by the Castro-and-Guevara-led rebels in the Cuban Revolution), featuring groups from diverse backgrounds, such as Mexican Tijuana No!, Brazilian Skank, and Argentinian Todos Tus Muertos. The goal was to replicate the sound of street music and bar scenes from a variety of cultures; to that end, Chao and the group spent several years travelling throughout South and Central America, recording new music as they went. The resulting music differed drastically from Mano Negra; the songs were primarily sung in Spanish with far fewer French tracks and the musical style had shifted from punk and alternative styles to the street vibe Chao was aiming for. The songs were collectively released as Clandestino in 1998, under Manu Chao's own name. Though not an instant success, the album gained a steady following in France with hits such as "Bongo Bong" and "Clandestino", and the album eventually earned the Best World Music Album award in 1999's Victoires de la Musique awards."  -  Wikipedia

..............................................................

Which reminds me that I finally got round to watching the film made by Steven Soderbergh of Che Guevara's participation in the Cuban revolution - Che - Part 1 - A Revolutionary Life.

http://en.wikipedia.org/wiki/Che_%28film%29

Cinematical's James Rocchi described the biopic as "expressive, innovative, striking, and exciting" as well as "bold, beautiful, bleak and brilliant". Rocchi went on to brand it "a work of art" that's "not just the story of a revolutionary" but "a revolution in and of itself". Columnist and critic Jeffrey Wells proclaimed the film "brilliant", "utterly believable", and "the most exciting and far-reaching film of the Cannes Film Festival". In further praise, Wells referred to the film as "politically vibrant and searing" while labeling it a "perfect dream movie".



...................................................

Professor David Harvey

The professor was featured on HARDTalk last week.

http://en.wikipedia.org/wiki/David_Harvey_%28social_theorist_and_geographer%29

Are we seeing the end of capitalism?

Arun Motianey, director of fixed income strategy at Roubini Global Economics, says the global economy is at risk of collapsing inward unless policy makers address the threat of inflation and exchange rate inflexibility.

For Professor David Harvey, Marxist author of The Enigma of Capital, the collapse of capitalism is inevitable. He tells Sarah Montague that capitalism is amoral, lawless, and it should be overthrown.

http://news.bbc.co.uk/1/hi/programmes/hardtalk/8662148.stm

Well done, BBC, for still making programmes like this one. How often do we get to hear the voices of the radical left? Whereas we hear the drivel of the radical right continuously.

Prof Harvey maintains that for the most part modern capitalism has nothing to do with anything productive, and simply makes money out of money. Smart financiers make money out of slightly less smart financiers, as well as out of dumb financiers and bankers - the dumbest being the Royal Bank of Scotland Group and HBoS, I reckon, since they're the ones that ended up in public ownership.



Harvey says our government has been protecting the banks at the expense of the people. There's been no productive use of the money controlled by the banks. There's been no actual investment in production or in real things.

What we need is investment in people's creative capacities and powers. Do rich people really need five mansions or more? What we need, as a society, is zero 'growth' and a significant redistribution of wealth. Through increasing the spending power of the poorer sections of society we'll become a richer society as a whole. Rich people hoard wealth. Poor people keep it in circulation.

There is currently NO political movement for real change from any of the established parties - Harvey is calling for people to think about alternatives. Utopia is simply about continuous change for the benefit of society as a whole, he says, and about creative engagement in political processes. We need diversity not homogeneity.

http://davidharvey.org/2010/05/interview-on-bbcs-hardtalk-are-we-seeing-the-end-of-capitalism/

http://www.youtube.com/watch?v=YtyZY9sKv2w
http://www.bbc.co.uk/iplayer/episode/b00scbd2/HARDtalk_David_Harvey_Marxist_Academic/
http://socialistaotearoa.blogspot.com/2010/05/david-harvey-bbc-hardtalk-interview-on.html
http://www.123webtv.com/shows/hardtalk

"Is it time to look beyond capitalism towards a new social order that would allow us to live within a system that could be responsible, just and humane?"

"Capitalism will never fall on its own. It will have to be pushed. The accumulation of capital will never cease. It will have to be stopped. The capitalist class will never willingly surrender its power. It will have to be dispossessed.” - David Harvey


..................................................................

Here's another HARDtalk worth watching, on Hugo Chavez:

http://news.bbc.co.uk/1/hi/programmes/hardtalk/8732857.stm

President Chavez's socialist world vision

Venezuela's President Hugo Chavez intends to inject new urgency into his socialist and anti-imperialist revolution, claiming "capitalism is destroying the world".

In a combative 60-minute interview with the BBC HARDtalk programme in the Miraflores Presidential Palace in Caracas, Mr Chavez blamed Venezuela's deepening recession on the irresponsible economic policies of the United States.

He also expressed disappointment with President Barack Obama's "very negative signals" towards Latin America.

The 55-year-old Venezuelan president rarely grants extended interviews to the Western media. This one was arranged to coincide with the premiere in Caracas of a new documentary by Oscar-winning director Oliver Stone.

The film, South of the Border, portrays Latin America being transformed by Leftist radicalism.

The leaders of Brazil, Argentina, Bolivia and Ecuador all get walk-on parts, but it is to Mr Chavez that Stone gives the starring role.

"What's been going on in Venezuela for the last 10 years is amazing - a piece of history. The least I can do is introduce this man and this movement to the American people," said Stone, with a beaming Chavez by his side.

Whether many Venezuelans will ever see South of the Border remains unclear.

The premiere was full of Socialist party bigwigs and activists who hooted with delight as their president was seen lambasting Bush, beating off a coup attempt in 2002 and generally adopting the mantle of a 21st Century Castro.

In his HARDtalk interview, the president blamed his country's economic woes squarely on America's "rampant, irresponsible capitalism" which was taking the world "on the road to hell".

"In England and in Europe you should know this," Mr Chavez went on. "'You have more problems than we do."

He quoted a stream of economic statistics to illustrate his claim that 11 years of socialism had "begun to redress the balance between a very rich Venezuelan minority and a very poor majority."

He said unemployment had been halved, extreme poverty was down from 25% to just 5%.

"Eleven years ago I was quite gullible," the president said. "I even believed in a 'third way'. I thought it was possible to put a human face on capitalism. But I was wrong.

"The only way to save the world is through socialism, but a socialism that exists within a democracy. There's no dictatorship here."

"Fidel has spent his whole life on his (revolution)," Chavez reflected. "Whatever life I have left I will dedicate to this peaceful democratic revolution in Venezuela."

........................................................

Here's something upbeat to end on - a blistering performance of 'Rainin In Paradise' by Manu Chao:

http://www.dailymotion.com/video/x3oiea_manu-chao-rainin-in-paradise_music

http://www.dailymotion.com/video/xcxfv5_manu-chao-rainin-in-paradize_music

http://www.youtube.com/watch?v=3272WEgFY0g

http://www.youtube.com/watch?v=qtlvykv3xjA&NR=1

Where are the British bands playing with anything like this sort of engagement, commitment and passion? Clearly they don't exist.

In Jerusalem
In Monrovia
Guinea-Bissau

today it's rainin
Welcome to paradise
today it's rainin
Welcome to paradise

http://www.metrolyrics.com/rainin-in-paradize-lyrics-manu-chao.html

 

Politik Kills

http://www.youtube.com/watch?v=GH8fwxA1UjE&feature=related

Check out the Politik Kills EP on Spotify, especially the remix with Linton Kwesi Johnson.

politik need votes
politik needs your mind
politik needs human beings
politik need lies

thats what my friend is an evidence politik is violence
what my friend is a evidence politik is violence

politik kills politik kills politik kills
politik kills politik kills politik kills

politik use drugs
politik use bombs
politik need torpedoes
politik needs blood
thats what my friend is an evidence politik is violence
what my friend is a evidence politik is violence

Big shout out to Brother B - the Horn of Africa.
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Wednesday, July 28, 2010

Layer 335 . . . Tom Jones, Soul, Blues, Praise, Blame, Glam and Glitter

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Tom Jones was always a great soul and gospel singer, and now he seems to be increasingly turning to the blues and boogie. It also seems his new album has been rubbished by the head honchos at his new label. They had apparently signed him in the expectation that he'd crank out more Sex Bombs and maybe another Delilah. Ha!

On Jones' 70th birthday, 7 June 2010, the single "Burning Hell", a cover of the John Lee Hooker classic, from the forthcoming Praise & Blame album, was released. In July 2010 it was reported, however, that David Sharpe, vice-president of Island Records (to whom Jones had moved, from EMI, for £1.5m in October 2009), had emailed colleagues demanding that they "pull back this project immediately or get my money back" and asking if the record had been "a sick joke". Jones later attacked Sharpe and revealed that he was furious about the leaked email. - Wikipedia

First track on "Praise and Blame" is Dylan's sublime "What Good Am I?", which is about a million miles away from the green, green grass of home. Or Las Vegas. Lyrics here:
http://www.bobdylan.com/#/songs/what-good-am-i

Performance on 'Later' here -
http://www.youtube.com/watch?v=qFs_glRugzE

One of Yentob's 'Imagine' documentaries was shown recently, featuring Tom J, obviously as a tie-in for the release of the new album. He really came across as a very decent and likeable guy, and very honest. If it's still available on iPlayer it's worth watching.

This is a decent page about Tom - http://www.theartsdesk.com/index.php?option=com_k2&view=item&id=1787:imagine-tom-jones-what-good-am-i?-tv-review&Itemid=30

Also on this site is a brilliant video of Tom duetting with the amazing Janis Joplin - a song called Raise Your Hand - an Eddie Floyd and Steve Cropper soul classic.
http://www.youtube.com/watch?v=8ib2b4BOZIQ&feature=player_embedded

The sheer joy on the faces of both of them as they belt out the song makes you realise all over again what an incredible loss it was to the planet when Janis died. She's never been equalled as a blues and soul singer.

Janis singing it on her own (with her band) here: http://www.youtube.com/watch?v=8TDw8v1Gi1E

Incidentally there's an interesting version of Talking Heads' excellent 'Burning Down The House' by Tom Jones with The Cardigans available on Spotify.

"I'm just an ordinary guy
Burning down the house."

And did anyone know that Tom recorded an entire album with Jools Holland in 2004? Boogie Woogie! Some nice Hammond playing on this. Track 1 is terrific - "Life's Too Short". Listen here:
http://il.youtube.com/watch?v=zjhJHjNj80o&feature=related

http://www.tomjones.com/

Also on Spotify I came across an album Tom made in 2002 called 'Mr Jones'. First track is a very funky thing called 'Tom Jones International', which is credited to Tom and Wyclef Jean. Practically hip-hop.
'Younger Days' is also a great piece of funk, with brilliant drums and bass.
"I was young and rowdy
Now I'm old and rowdy."
Way to go, Tom.
 

.....................................................

Tony Palmer's an interesting guy. His excellent 17-part documentary "All You Need Is Love, a history of popular music", is being re-broadcast nightly by Sky Arts.

http://www.tonypalmer.org/Tony_Palmer_biography.htm

Last night's episode, Glitter Rock, focused on the bands and singers that emerged in the early 70's, sandwiched between the eras of 60's Hard Rock and Punk. Lester Bangs (http://en.wikipedia.org/wiki/Lester_Bangs) laid into it with relish, calling the music slick, shallow, superficial and deeply depressing. Also vacuous, bland, ignorant, stupid, mindless, drab, dumb and self-indulgent frippery. And you can't say fairer than that.

He also pointed out that this music had no intellectual energy whatsoever - it had nothing to say of any interest. Which is generally very true, and in contrast to the traditions in jazz, blues and rock, where emotional honesty and honesty about the state of the world was taken for granted. As was great musicianship.

Glitter and glam were pure escapism - shiny and dumb. It was hard to see how it could appeal to a teenager with even half a brain, but easy to see how retards of any age could get off on it. Its only goals and values were fame and riches.

Stupid clothes, stupid hairdos, ridiculous attitudes. Nothing countercultural or rebellious whatsoever. Vacuous materialism - like the rest of society, only taken to extremes.

Music for escapism, 100% style, packaging and presentation; 0% content.

As Ian Anderson said in the programme, rock isn't meant to be a professional, organised branch of show business. Though Pop is.

So-called Glitter Rock was strictly for kids who were looking for self-aggrandisement, seeing it as a business, and not a calling, or an artform.

Bryan Ferry couldn't even hold a tune. His use of pin-ups and glamour girls on his album covers certainly had nothing to do with art and everything to do with blatant eye-catching packaging. Art has something to do with the communication of feelings and the revelation of truths.

None of the individuals in the bands that peaked in the early '70's had any soul, any authenticity, any truth to reveal. T Rex? Gary Glitter? Alice Cooper? Kiss?

Bowie said on the programme that he'd started out as a jazz sax player, but wasn't much good at it. Therefore he'd gone into pop and rock, which he could 'fake' (his word) quite easily. Theatricality and showmanship came very easily.

Elton John and Bowie were maybe the most interesting of the glam rockers, in that they were extremely good at what they did, and actually recorded the odd exceptional track. You could possibly same the same of Roxy Music. Unfortunately these people were all posers and fakers, to use Bowie's word. They had much more in common with Gary Glitter than, say, Chuck Berry, Jerry Lee Lewis, BB King, the Stones, Doors, Neil Young, etc.

Did Glam and Glitter have any durability and quality? Would anyone pay to see it performed now? Maybe if you were an adolescent in the '70's and felt like wallowing in nostalgia for stuff you thought at the time was pretty exciting. After all, a reformed Roxy did a show in Victoria Park about 10 days ago, and it seems plenty of people paid to watch.

http://www.gigwise.com/news/54847/Roxy-Music-Grace-Jones-To-Headline-Lovebox-Festival-2010

Roxy Music: as decadent as ever, they noodled their way beautifully through a bunch of slowies, before ending on an intoxicating blast of Virginia Plane, Let’s Stick Together and Love is the Drug. A band once described as 'the triumph of artifice’ proved they were the perfect headliners for a crowd of East End peacocks.

http://www.telegraph.co.uk/culture/music/music-festivals/7897968/Lovebox-festival-Victoria-Park-review.html
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Friday, April 9, 2010

Layer 279 . . . Santana, a Ferrari, Musical Memories, Spiritual Journeys

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It's a beautiful Spring day, and it's being made even more beautiful by having non-stop Santana on Spotify. I do love Spotify.

It's strange how such beautiful and spiritually uplifting music - and for me there's nothing quite like Santana's brand of rhythmic latino-bluesy-soul-rock for lifting the spirit - can take you off down roads you never even thought to go down.

Having switched on Spotify this morning I was presented with a welcome page from which the Santana collection just leaped out.



I'm currently listening to a brilliant track I've never even heard of  - Fried Neck Bones And Some Home Fries - which is the first track on the second disc of the Legacy Edition of their very first album - recorded in 1969 and never been bettered by anyone ever. This was the album that grabbed your attention with the monochrome cover of a snarling lion's head, framed by its mane, and a great "Santana" graphic down the right hand side. A cover that was in some ways understated, but suggested power and originality and something . . . very different.

http://en.wikipedia.org/wiki/Santana_%281969_album%29



I'm not sure whether I've written about this before, but the first time I came across this debut album was in the passenger seat of a Ferrari 365 powering and snarling its way with unbelievable speed across France. My then girlfriend, V, was sitting in her minidress in the back seat along with our rucksacks - this being one of the very few 2 + 2 Ferraris ever made in the 1960s, and therefore capable of offering a lift to hitchhikers. What an amazing experience. I've no doubt that V in her eye-catching minidress was the reason we were offered this lift - all the way from Marseilles to Paris. This was a lift, and an experience, beyond belief, beyond my wildest dreams.

http://auto.howstuffworks.com/ferrari-365-gt-2-2.htm

Santana are the Ferrari of the music world. Class, quality, beauty, power, soul, originality, dynamism, excitement, spirit and sheer soaring excellence. Guaranteed to lighten your mood - whatever it may be - and transport you to higher realms. Guaranteed to ignite your passions, move your body, grab all of your senses, and make the day a very good day.



Ferrari 365 2+2 V12

Carlos, the main man, played, and still plays the guitar, like no-one else. If you ever needed a musician to provide a sound track for a cross-continent trip in a Ferrari, then Carlos is your man. He's unbelievable. His contribution to the track called "Chill Out (Things Gonna Change)" on one of John Lee Hooker's albums is staggeringly brilliant. Check out the look on John Lee's face as Carlos does his thing - and he was a man who'd seen most things and was not easily impressed.

http://www.youtube.com/watch?v=43yvS6bPZDs



http://www.google.co.uk/search?q=santana+chill+out&hl=en&safe=off&client=firefox-a&hs=65W&rls=org.mozilla:en-GB:official&prmd=v&tbs=vid:1&tbo=u&ei=Hge_S_rlH4bw0wSJ3vmkCQ&sa=X&oi=video_result_group&ct=title&resnum=1&ved=0CB8QqwQwAA




Carlos' virtuoso musicianship was sufficient in itself to make his band a great - a truly great - band . . . but there was so much more on top of that.



Wailing Hammond organ, with improvised riffs swirling their Leslie-amp vibrato-driven way into your skull - check out the live version of 'Savor' on the Legacy edition, as well as Fried Neck Bones.

Phenominal rhythmic work by the bass, kit drums, and the percussion players on congas and timbales - same track and also 'Jingo (live)' and 'Soul Sacrifice' - incredible. Crank up the volume, put on your headphones - do what you have to do to really get into this amazing thing.

On that first album there's not a single track that's less than arresting, original and thrilling. I still feel this way about it some 40 years down the line, so imagine what it felt like sitting in a Ferrari doing 140 listening to a band, and a type of music I didn't even know existed, for the very first time - on a hi-fi sound system the likes of which I didn't even know existed. Such a shame, incidentally, that the cartridge driven system didn't succeed in becoming the industry (tape) standard. Great quality.



This bit is from Wikipedia -

http://en.wikipedia.org/wiki/Carlos_Santana

Influences

Around the age of 8, Santana "fell under the influence" of blues performers like B.B. King and John Lee Hooker. He also credits Jimi Hendrix as an important influence.


Spiritual journey

In 1972, Santana became a huge fan of the pioneering fusion band The Mahavishnu Orchestra and its guitarist John McLaughlin. Aware of Santana's interest in meditation, McLaughlin introduced Santana and Deborah to his guru, Sri Chinmoy. Chinmoy accepted them as disciples in 1973. Santana was given the name "Devadip" – meaning "The lamp, light and eye of God." Santana and McLaughlin recorded an album together, Love, Devotion, Surrender with members of Santana and the Mahavishnu Orchestra, along with percussionist Don Alias and organist Larry Young, who both had made appearances on Miles Davis' classic Bitches Brew in 1969.


In 1973, Santana, having obtained legal rights to the band's name, formed a new version of Santana, with Armando Peraza and Chepito Areas on percussion, Doug Rauch on bass, Michael Shrieve on drums, and Tom Coster and Richard Kermode on keyboards.

The group later went into the studio and recorded Welcome, which further reflected Santana's interests in jazz fusion and his commitment to the spiritual life of Sri Chinmoy.

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Sri Chinmoy

http://www.srichinmoy.org/

If you want to be
A reformed character,
Then every day
Keep your heart-lotus
Fresh, beautiful,
Prayerful and soulful.

...............................................



 

http://gulfnews.com/arts-entertainment/celebrity/carlos-santana-s-spiritual-growth-1.604333

By Natalie Long
March 29, 2010

Carlos Santana's spiritual growth

Everything that I do is balanced, said Carlos Santana. The born-again musician said the goal of his music far transcends entertainment.

"When you hit a note, it's easy to give people chills," Carlos Santana tells me.

The Mexican musician is sitting in a booth at the Shangri-La in Dubai, where he's been staying since Thursday . . . not going out, just "reading the books I'm into. I'm reading a book about Desmond Tutu and a book about learning in a tangible way to become more transparent."

"The more transparent you become, there's less of me, myself and my story. Me, myself and my story really get in the way," he says. " - in the way of the message that everyone is meaningful and significant. No one's special. When people think they're special — look at Michael Jackson — you start thinking that your pain is more than someone else's and you need special drugs and a special doctor. I've seen that with all the people that I love, like Marvin Gaye and Jimi Hendrix — they become more special than other human beings - and we're not. You may have more zeros to the right of the cheque, but everyone is equally significant and meaningful."

 


Music-led philosophy

Santana has a well-documented interest in spirituality, as someone whose career started with a phenomenal gig at Woodstock may well lay claim to. He's studied under Indian gurus . . .  and now, it seems he's taken that lifetime of experiences and rolled it into a fascinating, music-led philosophy on life.

"This stuff is really tangible that I'm talking about - not hocus-pocus, mumbo-jumbo or wishful thinking," he says. "It's solid as the foundation of this building, it's gonna hold you. A lot of people ask, what kind of amplifier, what kind of strings, what kind of guitar, what kind of speakers, and I say, you forgot to ask me the most important question: what was I thinking about, feeling?"

Eternity

"I think that the music that I love — what I call the sound of eternity — It's A Wonderful World, Louis Armstrong, What's Going On, Marvin Gaye, Imagine, John Lennon, One Love, Bob Marley — remind you of eternity because they will always be relevant and you stay forever young. I call it the fragrance of the soul, because it's not coming from any other part than from the centre of your heart, the best part of you."

While his record label celebrates a decade since the release of Supernatural (which landed nine Grammys) with a reissue of the album this year, Santana himself is looking ahead . . .

"Everything that I do is balanced. I've made a commitment. It's not a job, routine or labour. It's like offering flowers to people, to ensure your smile is as fresh as possible."




More mind-boggling tracks:

Toussaint L'Ouverture (Santana III)
Jungle Strut (Santana III)
Day of Celebration (Supernatural - Legacy Edition)

http://www.youtube.com/watch?v=4rRlBmJiz5k
http://www.youtube.com/watch?v=uCguMx8OO7U&feature=related
http://www.youtube.com/watch?v=MQJ6xJfTDaE&feature=related
http://www.youtube.com/watch?v=q5a0OAtzrXE&feature=related 
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